Egad.
mood: anxious
I've taken out a pair of shears and am slicing and dicing my words. Just revised chapter one and boy does it need a haircut. Got the important bits shoved in there and now the poor little darling is all bloated and sluggish and has a serious case of the doldrums. SIGH. I'm almost ready to dump it, keep the outline and start from scratch. It's Dion's voice that's killing it.
He's a stodgy ol' ancient cuss anyway. Add to that the fact that he's been stripped of emotion, and the only useful way he interprets the world is through his...ahem...I'll say anatomy, and it's a bitch to write in any remotely interesting way. Ah, so we could go with the human as POV, but she has no clue what he's trying to do--and he's too grand and arrogant to fill her in on his plan. (He barely wanted to tell me, imagine! I had to threaten to tie him upside down and castrate him before he spilled. Some.) And the plan must be spilled.
Oh, and then there's the drugs. Here's Dionysus before the drugs (cold, isolated, arrogant bastard), then here he is after (luke-warm, arrogant, flowery bastard with even greater delusions of grandeur). Yeah, and the flowers...I mean that quite literally. Ever try to write a Georgia O'Keefe rendering...yeah, I bit off more than I can manage with this one.
I'm toying with throwing in a prologue--which I promised myself I would not do--just to kind of help nudge the reader over the hump in the road that is his desperation--which incidentally torches off the rest of the novel. It's a great place to start, it just doesn't SOUND right yet. It lays there like a lump of word masturbation. I need drums and pounding and gently rising tempo that careens out of control and...a verbal rendering of Bolero. That's what it needs...Mr. Ravel, meet Ms. O'Keefe.
Eep.
Excuse me, I have to go do something impossible now...(Lord Almighty, what have I done?!)






ANSWERS
1. Change the world in one way. I think I would wave a magic wand and give everybody on earth enough compassion, forethought and ability to compromise that issues of division, political opression, war, hunger, hatred and injustice would simply fall away. Hey, if you're going to dream for super powers, I figure--dream big.
2. Recipe, song, or other tradition means most to you and why--hmm. You know this shouldn't be that hard. Thing is, I look around at the things my family does together and see that they are traditions of only the last generation--the Christmas tree, Easter egg dying, my grandmother's chocolate chip cookie recipe (which came off the back of the Tollhouse package). Yet, I know there are other traditions, ones that my great grandmother knew and halted--in an attempt to let her children survive. So, I think of the tollhouse recipe as the "family cookie recipe" and wonder if I will ever have the strength to learn the traditions that have been lost before they disappear completely--the preparation of acorn especialy. Sure, I've read about it, I've studied it, I've learned everything I can about it--but this family tradition has been taken from me long ago. Perhaps it is wrong to go back and try to recover it. Perhaps I don't have the right. So, there's a hole in me somewhere as I answer this question.
I think of my grandmothers bent and brown hand, rolling pie dough for apple pie, dropping chocolate chip cookies onto a cookie sheet and making buttermilk chicken--things that remind me intensely of her, and things that I keep alive in my kitchen for my daughter so that she can also be touched by that strong woman who gave her a matching face. I cling to these things because they remind me of her strength, for her hands were doubled with arthritis as she made these things for us, and she made them with such intense love despite her own pain. I laugh to think of her crass sense of humor, which would surface at the most inopportune times. After fixing a fancy spread, she would quip (and this was a long standing joke that arose when feeding a visitor many, many years ago) "well, we're not much for food," she'd say, slamming the mayonaise jar on the table among relish trays, and pretty plates, "but we're hell for style!" And I remember her quipping, again with company present, "Oh, yes, I made this all by myself." And she'd hold up her time-worn, Indian-brown hands so the knobbly knuckles showed. "With these two lily-white hands." To which we would roar, and the (white) guest would turn pink, not quite knowing how to take her. Oh, I miss her. And I wonder what other wonderful traditions I have missed that her mother would have shown me, had things been different in this world.
3. I find strength and motivation to move forward from my past and my future. I draw strength from may past in difficult times, so that I can heal my family of its many wounds. I think to myself what wonderful opportunities have been given to me, and know that even if the task seems insurmountable, I owe my matriarchs to take full advantage of such things and do right by them who were given no such chances. I also look to my children, and do what I must to leave them a world that functions better than the one I am currently struggling through. Finding myself balanced between these things, requires a chance to reflect and I do that through prayer, music and being still with the Earth.
4. The trait I hate more than anything is arrogance and condescention--some people can't hear anything because they are so busy talking themselves. Yeah. Those people are everywhere and I can't stand them, because along with this cute little trait they are also usually intolerant, afraid of differences and talk hate along with their dogma.
5. I admire most a woman known only to the world as Indian Molly. (And the woman I have named myself after in this journal). She watched her family die and survived the massacre; her baskets are on display in the museum in Placerville, CA where her ancestral lands were taken along with her family. She lived on the banks of the Cosumnes and signed a treaty with the US Government with an X. The treaty was never ratified, but it gave her hunting and fishing rights and gave white folks access to her land. She is buried in Apple Valley, near Placerville in an unmarked grave, identified only as "Indian Woman" in the cemetary plots. But we know she is there. We, her descendants have seen the place. I draw breath because of her strength, her bravery and her intelligence, and through me and my children she lives on as well.